When we talk about the
Gettysburg Address, Abraham Lincoln’s iconic beard or the famous line
“government of the people, by the people, for the people” spontaneously enters
our mind. Hardly anyone knows that before Lincoln
gave his miniature speech, Edward Everett, a renowned orator at the time,
delivered his funeral oration which lasted for more than two hours at the
ceremony. We cannot help but ask ourselves:
“What are the peculiarities that make Lincoln ’s 272-word speech everlasting in the mind of
people like being engraved in a memorial, while Everett ’s oration is transient like
footprints on the sand?”
This essay explores Lincoln ’s speech with the
aim of answering the above question.
A.
Brief overview
The Gettysburg Address
was delivered by President Abraham Lincoln in the ceremony at Soldiers’ National Cemetery
in Gettysburg , Pennsylvania . The ceremony was held on November
19, 1863 as a dedication to the soldiers who had sacrificed their lives in the
Battle of Gettysburg during the American Civil War. It is vital for us to note
that the Civil War ended only in 1865, i.e. a year and a half after the
Gettysburg Address.
Some may easily get the
impression that Lincoln ’s
speech is so popular even after almost 150 years due to the use of language
that is simple and understandable to the proletariat, as they think that the
words in the Address are of Anglo-Saxon origin. However, as Wills points out,
they may have failed to realize that keywords in the speech, e.g. “dedicate”
and “consecrate”, are indeed of Latin origin (1992).
Some may claim that Lincoln ’s style of
writing is the use of simple sentences. However, they may have failed to notice
that the last sentence of the speech is a long and complex one, with a
subordinate clause that is made up of four sub-clauses arranged in a parallel
manner.
We will have an in-depth
discussion on Lincoln ’s
language and style by examining the Gettysburg Address in the following
sections.
B.
Lincoln ’s use
of rhetorical devices
Many scholars highly
regard the Gettysburg Address as “a prose poem” (Highet, 1959). One plausible
reason is that Lincoln ’s
speech is satiated with rhetorical devices; and the extensive use of figure of
speech is widely observed in the language of poetry. The beginning of the third
paragraph is an exemplar of this writing style of Lincoln in the Address, and the figure of
speech in it is scrutinized and summarized below.
-
Anaphora: Sentence 6 is constructed by
repeating thrice the phrase “we can not” successively at the beginning of
divisions of the sentence:
“we can not
dedicate— we can not consecrate— we can not hallow” [Italics added]
This repetition makes the sentence rhythmic,
creating a sense of harmony.
-
Asyndeton: It is the deliberate omission of
conjunction between a series of related clauses (Corbett, 1965). The connective
“and” between the clauses “we can not consecrate” and “we can not hallow” is
omitted in sentence 6. Corbett notes that a hurried rhythm is established in
the sentence via asyndeton.
The great Greek philosopher Aristotle in his book Rhetoric praises that
the use of repetition, together with asyndeton, is particularly effective in
spoken speeches, as it generates a dramatic effect:
“Thus strings of unconnected words,
and constant repetitions of words and phrases, are very properly condemned in
written speeches: but not in spoken speeches – speakers use them freely, for
they have a dramatic effect.”
(Aristotle, Rhetoric, Book III, Chapter 12; trans. W. R. Roberts)
(Aristotle, Rhetoric, Book III, Chapter 12; trans. W. R. Roberts)
-
Climax: In sentence 6, three verbs “dedicate”, “consecrate” and
“hallow” are used, and are arranged in an order of ascending strength. All the
three verbs share similar meaning, which is to devote to sacredness; but with a
difference in tone or intensity. “Dedicate” is the weakest as it only involves
devotion to sacred rites, while “hallow” the strongest as it refers to the act
of purifying or making something holy (OED).
In Rhetoric, Aristotle also hints at the effect of climax:
“In this repetition there must be variety of tone, paving the
way, as it were, to dramatic effect; e.g. ‘This is the villain among you who
deceived you, who cheated you, who meant to betray you completely.’” [Italics
added] (Book III, Chapter 12)
In other words, climax is an important tool,
usually used along with word or phrase repetition, that helps the speaker to
achieve a dramatic effect by varying the tone. In this case, the speaker uses this
tone-rising technique, together with the connective “but” and the phrase “in a
larger sense”, to divert the interlocutors’ attention gradually away from the
ceremony or the battlefield itself to a topic of higher importance: the ideal
of freedom for which the dead soldiers fought.
-
Antithesis: This figure of speech refers
to the juxtaposition of a contrast or opposition of thoughts and words
(Swinton, 1887). It is particularly abundant in sentences 7 and 8:
Contrasting pairs
|
|
Sentence 7
|
-
living vs. dead
-
add vs. detract
|
Sentence 8
|
-
remember vs. forget
-
say vs. did (do)
|
Table 1: Examples of antithesis in sentences 7 and 8
In sentence
7, the image of dead soldiers is clearer and more vivid with the antonym
“living” if the original is compared to an alternative we constructed – “The
brave dead men”. The opposing pair forms a sharp contrast, and creates a deeper
and firmer impression on readers, just as Aristotle remarks, “antithesis
impresses the new idea more firmly” (Rhetoric, Book III, Chapter 11).
C. Lincoln ’s Utopian aspiration
The focal point of most
academic papers and books discussing Lincoln ’s
Gettysburg Address is solely on its rhetoric. Truly, Lincoln ’s speech is crafted meticulously in
the rhetorical point of view. However, the speech written by an orator as
eloquent and skillful as Everett, whom his student Ralph Waldo Emerson praises
his genius “almost comparable to that of Pericles in Athens ”, is not devoid of rhetorical
techniques.
A pure rhetorical
analysis would sound very much like a barbarous, faulty attempt at disengaging
the soul of a person from his or her body, as French philosopher and essayist
Michel de Montaigue says, “May we not say that there is nothing in us... that
is purely either corporeal or spiritual; and that we injuriously break up a man
alive.” Therefore, to explain fully the overwhelming success of Lincoln ’s speech, other
essential aspects regarding the speech content and organization should also be
integrated into the rhetorical analysis.
- The use of metaphor and its
overall effect:
One of the main themes of Gettysburg Address is liberty and freedom, and the
speech is wreathed in metaphors of birth and rebirth by Lincoln :
Example
|
Sentence 1: fathers brought forth a
new nation; conceived in
|
Sentence 10: rebirth of freedom
|
Source domain
|
Birth
|
Rebirth
|
Target domain
|
A beginning
|
A
new hopeful spiritual renewal
|
Table 2:
Metaphors of birth and rebirth
While reading sentence 1,
it is hard for us to imagine how a man can “bring forth” or give birth to a
baby. A.E. Elmore speculates that the “fathers” to whom Lincoln refers is the Heavenly Fathers
(2009). But, the word is not capitalized and its meaning is restricted by the
predicate, which refers strictly to the signing of the Declaration of
Independence by their earthly predecessors. Booth even mentions it has been
absurdly proposed that the “fathers” are obstetricians (1998). Nevertheless,
these interpretations actually demonstrate the existence of birth and rebirth
metaphors, as well as their effects on the readers. Under these conceptual
metaphors, the Civil War is perceived by many as a ritual of purification that America goes
through, with spiritual rebirth of freedom as its destiny (e.g. White Jr.
(2009)).
The effect of these
metaphors is three-fold: (1) echoing the last paragraph with the first
paragraph; (2) helping readers to familiarize with the ideas of liberty and
freedom as the idea of birth is more concrete, and the idea of born again or
spiritual rebirth is at the heart of Christianity, e.g. in the Holy Bible
Jesus says, “Verily, verily, I say unto thee, Except a man be born again,
he cannot see the kingdom of God.” [Italics added] (King James Version, John
3:3); and (3) bringing aspiration to people as spiritual rebirth and the new
beginning of freedom has a close linkage of hopeful renewal, which makes the
metaphor of rebirth feasible.
- The use of allusion and its
overall effect: Although the clause
“government of the people, by the people, for the people” in sentence 10 is
best known to be a Lincoln ’s phrase, Lincoln does not invent
it. Its authentic origin has been fiercely debated. Lincoln’s law partner
William Herndon gives us some hope of settling the dispute, through recalling
in his book Herndon's Life of Lincoln that Lincoln lends Theodore
Parker’s lecture “The Effect of Slavery on the American People” from him, and
the lines “Democracy is direct self-government, over all the people, for all
the people, by all the people” are marked with pencil (1889). Hence, it
is most probable that Lincoln
likes the phrase of Theodore Parker, and later adopts it seamlessly into his
speech as a concluding remark.
Another renowned allusion
is in the first paragraph: “all men are created equal”. It is taken directly
from the Declaration of Independence signed in 1776. The two cases of allusion
mentioned not only link up the first and last paragraphs together, but also
attribute solemn meaning to the sacrifices of the soldiers, and most
importantly invoke the long-forgotten concepts of equality and freedom in the
mind of audience.
Not everyone loves Lincoln ’s speech. Some
criticisms from anti-war Democrats appeared in newspapers after the Gettysburg ceremony,
castigating that the speech sounded too much like the Declaration of
Independence rather than a dedicatory remark to the soldiers. On the
contrary, Everett ’s
speech was praised by Republican editors for his accurate description of the
battle (Reid, 1967).
But, it is important to
offer people some glimpse of hope and aspiration, considering that the Address
was delivered at the gloomy and desperate time when the Civil War was still
under way and a pungent smell of sulfur was still lingering in the air. This is
actually what Lincoln does with his short speech
via allusion and leaving out the details of the battle of Gettysburg – “transforming the ugly reality
into something rich” (Wills, 1992).
Aspiration is
indispensible to the success of public speaking. The majority of the most
memorable speeches in history are the ones that inspire us most, for example “I
Have a Dream” by Martin Luther King, “I Am the First Accused” by Nelson
Mandela, and “Yes We Can” by Barack Obama. They often emphasize the universal
humanistic ideals, like equality, freedom and democracy, which the audience
yearns for perpetually and resonates with emotionally. And the speeches infused with hope and optimism
naturally elicit positive emotion among audience. A number of experiments
conducted by cognitive psychologists proved that items with strong emotional
effects are more memorable, probably because they are processed more actively
by the audience, when compared with neutral items (Kensinger
and Corkin, 2003).
It is true that the ideas
of human equality and a democratic government presented by these two allusions
in Lincoln’s speech look merely like Utopia, especially during the time when
the funding of the two major political parties in the United States is largely
contributed by big corporations and conglomerates, and when universal suffrage
in Hong Kong is nothing more than a mirage. But Oscar Wilde reminds all of us the
importance of being aspired: “a map of world that does not include Utopia
is not worth even glancing at”.
D.
Conclusion
To sum up, Lincoln engraves his
speech at Gettysburg
with rhetorical tools in hand, and with aspiration in mind. Therefore, his
speech is well protected against the eroding tides of time. This masterpiece of
speech shall always be a Utopian ideal which gives light to the people in the
past, people in the present, people in the future.
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Press. 23 November 2012.
“hallow, v.1” .
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